Drkqs
In trying to trace the path of my life, sometimes I find myself shocked at how quickly it’s gone, and how little has happened in that time. Because I have a tendency to undertake big projects and toil away at them for months — sometimes years — at a go, it’s easy for me to spend vast swathes of time in which the “big” events are all a part of a larger whole that dwarfs them. No matter the satisfactions of writing a new scene or having a new idea, such things will always fold back into the greater work, like a swell receding in the ocean. I complete a project every now and again. It’s hard for me to look back a year and know exactly what I was doing.
Then there’s the strange nature of publishing, at which I am a still a newbie. But it all seems to work at a glacial pace, especially by the standards of one who has grown acclimated to the internet. Your book is sold, then it’s unsold, then it’s sold, and no matter what, it’s going to be months — sometimes years — before anybody sees it. It often feels as though I’m shouting into a vacuum. All there is, for me, is this blog, and its various appurtenances. What was happening to me this time last year? I can look here, I guess.
There are a few problems with that. One is that this kind of public record is, by its nature, performative. Often times I’m trying to amuse or entertain, in my own small way, in this space; that means that what’s happening here, no matter how frank or honest it is, is never a whole picture. I can write from the depths of a depression in a way that people find funny. Often the only islands in said depression are those moments when I’m writing. And if, as was the case last September, I’m deep enough in it, then I won’t write anything at all. In September of last year, I wrote no entries for this blog. Why? I can guess. But there’s no contemporary record.
The reason I wasn’t writing here then was that I was massively, borderline-suicidally, depressed. The reasons are various, mostly having to do with the edits I was trying to make to my book, but they’re less important, really, than the overwhelming fact of the depression. Every day I woke up feeling kinda okay, and by noon I would be so low I could hardly move. In the interim I often moved from my house to the library where I did the bulk of the work on rewriting the book, and I would find myself stuck there like a beached whale, suffocating under my own weight. I would sit by the window of the PSU library and look down at a field where soccer teams practiced, feeling anhedonic, and write nothing. Many times I opened up word processing files with it in mind to write a blog post, and every time I found I didn’t care what I had to say. Current events were thick on the ground — wasn’t it around this time last year that we discovered that the future President liked to grab women by the genitalia without their permission? — but I couldn’t muster the energy. I had no opinions on books or movies or my personal life. I just was. And just barely.
And so it happened that I took another step that would be problematic for this blog. I began to take, not for the first time, an SSRI antidepressant. SSRI stands for selective serotonin reuptake inhibitor, a class of drugs that includes Zoloft, Prozac, Paxil, Celexa, and Lexapro. I would like to explain to you how it works in your brain, but it can’t, and not just because I last studied biology and chemistry in 1998. The fact is that nobody’s 100% sure how they work. But we do know what they do, at least for most people. The way I’ve described it to my therapist is that they put a floor under my depression. It’s not that I don’t get bummed out when on an SSRI. It’s that I don’t crash way, way down into the depths, where I was at this time last year. I don’t find myself despondently riding the train out to the end of the line, only to ride it back. I don’t skip paying bills I have the money to pay. I don’t spend hours on end contemplating my impending death.
But SSRIs have a battery of other effects, too, each in some degree a bother: they can make you drowsy, make you retain weight, make it hard to orgasm, make your mouth dry. Though I don’t much care for any of those, I’m willing to tolerate them for the benefit of keeping my depression superterraneous. They’re not why I’ve eventually gone off SSRIs, every time they’ve been prescribed to me. No, the reason I’ve gone off my meds repeatedly is that they don’t just put a floor on my mood — they put a ceiling on it, too. There’s a kind of bright, jagged stimulation that I feel, especially when approaching a period of sustained creativity, that I really love and dearly miss when I’m medicated. It’s a state of mind in which music sounds better, plans seem more realizable, words run together on the keyboard. I’m not manic-depressive, technically. Having seen the real extremes of bipolar-one disorder in the last year of my foster brother’s life, I can tell you for a fact that I don’t have that. But there’s a thin line between what I have and what he had. The main difference is that I only lose touch with reality when I’m feeling down, and he tended to lose touch with reality more often when feeling up. There’s a broad middle space where our paths often crossed.
You hear about the suicide and self-harm statistics for depressives and manic-depressives and you might wonder why we would ever go off our meds. There are times when that’s as mysterious to me as it is to you. But there are others when it isn’t mysterious to me at all. You see, part of why this blog has been largely dormant since about November of last year is that I went on Lexapro around that time, and that feeling of bright, jagged happiness has been almost entirely gone from my life — and along with it, my greatest periods of inspiration, the sharpest edge of my (if you’ll forgive a little self-regard) brilliance, and any real faith I have that anybody will ever want to read my opinions on things. Though I haven’t spent a morning contemplating my own death (different from contemplating suicide, but related) in about a year, there have been countless times when I went to tap away at a blog entry and gave up a couple of paragraphs in because of my total lack of inspiration. I often feel flat, spark-less. Not always. Clearly, I’m still able to write sometimes while medicated. But when I am feeling that way, that’s when the appeal of being unmedicated begins to call.
I don’t want my loyal reader to worry; I’m not about to stop taking my meds, especially with winter coming up, which is always a hard time for me. I’m a little low on projects right now, so I’m not really feeling like my lack of inspiration is an enormous problem, not right at this very second. And I’m going to try a new approach. When you’re a novelist, not every word you write can be inspired; there’s a lot of slogging along, placing dull-feeling sentence after dull-feeling sentence, wondering if it’s ever going to come back. I’ve decided to (try to) employ that trick and see if I can’t force a spark through ceiling that Lexapro has put on my creativity. What I’m trying to say is that I’m going to try to update this blog more often, at least until such a time as other commitments make that impossible. I’m shooting for at least a couple of times a week. We’ll see.
I realize now that it sounds like I’m promising a lot of boring, uninspired blog entries over the next few months. Well, shit. I guess maybe I am. But hell, nobody’s forcing you to read them. I’m just forcing myself to write them. Until then, I’ll catch you on the flip-flop.